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Coraline and the magic door

Coraline is the magic door

Henry Selick

The first person that comes to mind reading or hearing the phrase "From the director of 'The Nightmare Before Christmas'" is certainly very good reasons, the inimitable genius of Tim Burton. Wrong. Why do not all know that the official director of the adventure Christmas Jack Skeleton has become a veritable cult, is Henry Selick. Lover of the stop-motion as Burton, in his "Coraline and the Magic Door", combines for the first time 3D animation and new technologies.
Coraline is the fantasy writer Neil Gaiman and his casual but providential typo (should have been Caroline). He has eleven years and has recently moved into a new home with his parents. But these too are taken from their jobs to care for her and, while wandering around in a bored exploration of the house, he discovers a door that leads to a completely speculate that it comes from. Here the only difference is the kindness shown by people, who instead of eye has two buttons. Everything is seemingly better: his other-mother, her other-father, his neighbors, the two actresses retired eccentric acrobat trainer mice. But soon the little blue-haired heroine will realize that not everything is as idyllic as it seems.
in everything Tim Burton has nothing to do absolutely nothing but remind us continually dark fairy-tale atmosphere and the dichotomy between the bright colors of the "port in the world" and those dull and gray just like the reality of Coraline in "The Corpse Bride." In the work of Selick but the pace is a bit disappointing '. Sometimes the narrative is so slow that easily distracted us from what could really be something more than the first highly successful experiment in stop-motion to see with the 3D glasses.

But aside from these moments of light devolution, "Coraline" is proving a fascinating journey through dreams, nightmares and fantasy worlds for "Alice in Wonderland" (where the White Rabbit is jumping mouse and its hole course is the Magic Door), referring both children and adults, who can not leave our heads held high by any of the two parallel universes.

Graziana Mirabile

Release of the movie in Italy: 19/06/2009
With: Dakota Fanning, Teri Hatcher, Keith David, Ian McShane, Jennifer Saunders, Dawn French
Nationality: USA
Year: 2009
Genre: Animation, Adventure, Family, Fantasy

WATCH THE TRAILER

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windows. 1


the sun of that autumn of 1994 it had flooded the room with

obvious arrogance summer.
behind the glass, Nina
dusted off his undoubted seniority
lizard.

ventured to open the window, leaning to the sound of bells and the smell of

sauce and roast that animated the quiet street.
a perfect Sunday.
habit was almost rustic, his, that almost every time
surprised.
enjoy the rustling of the wool coats of good
almost drowned out by the chatter of gossips
was an art of subtlety

certainly not common.
move it into the glass mirror for a range of sun and was

one with the lazy sway of a curl, with a flash of

smile, greeting and the echo of her head was spinning. A breeze

thin face.
Nina closed the glass. She was not sure
having responded to the salutation nor
know who it was. He felt the
cheeks flushed and breathing
stumble in my throat.

He looked again into the street, the door was locked behind all quell'ondeggiare. It

hastened up the stairs in the wake of rumors that the family
called to lunch.

25 years and un'incomunicabilità
with computer science textbook.
The office emptied in the afternoon and did not miss Nina

opportunity to reiterate its preference for the phone. Today, however

insistent the blue screen was placed before the

arrogance of one who knows the winner.
Nina followed the instructions step by step, from
paper.
"download press ... do ..." even before the
versions of greek
had never been in a this pressure. There, for the
less
was always able to invent and the error would be reported

until several days later. Fortunately, the friends

see in times of need and package

paper with instructions that it was more detailed.
"I will open a dialog box
"
The window opened.
In a greeting.
Nina frowned
in an attempt to link that image to
lack of instructions until then so
point: what the heck
the Indians had nothing to do now? ICQ
marked ocher of feathers and triumphant, in the end of five minutes had
involved in a surreal and intimate conversation as if
always known.
closed the window with the old song
head.
And without having understood anything at all.

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Nut and Nina in "Ravens or Cupid?" - Part 2

(continued from Nut and Nina in "Ravens or Cupid?" )
Nut was clear and direct.
So clear and so direct that it seems Machiavellian. Nina
, including crows and greedy, decided to give a personality to each piece would make things much easier. In any case, what was safe and did not want to know the dangers, traps and complications.
But Nut was clear and direct and in fact this caused several complications. For example, Nina would now
Nut could have sworn that he was trying to kiss her.
And she, in turn, in all his shyness, did not see the time.
Indeed, there was a part of you, just below the belly, that his response left no room for doubt. He had made a mistake: the blond little boy damn he planted his banner on his part and the physical body does not obey absolutely more.
(continued from )
Nut Wherever she went she found herself stuck with an obvious embarrassment and the improbable and implausible attempt to take a neutral expression.
The crow was fluttered with remarkable effort from the head and legs had stuck nails into thinking Nina. Now, methods, listed with increasing tone and passion all the possible cheating in Nut could have become an advocate and you probably already experienced warper.

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Madness Down

in elementary school I remember the sublime moment of the first page of the book again, with all the care was updated inside front cover with all the data and the first page had clear claims of medieval illumination.
From the second on the notebook was just one of many.
But the front page, oh how nice! So spotless and stiratina, stretched on the following pages are still fresh of the press.
The new craze is perhaps born with us, we have it as an error of original programming guaranteed to all human beings.
So, growing up, sometimes we leave the plastichina on the electronic display of things, we put the shoes used only the first time in their range of leaflets and stuffing box of paper.

ensure and maintain the new. The state again.
When it happens in politics, Berlusconi won the elections. And established a dictatorship that media-political, no doubt, has no previous brand-new and shiny with her blushes and her hairstyles accurate.
And the people left, instead of waiting for the front page of the book end up making it return to the consideration average relative to other notebooks and even to overcome it back on that old notebook where margins wrote the best friend or your child's most beautiful school, what does?
is proposed as a new notebook, too.
But with lines or squares? with tear-off pages or fixed? quadernino or EXERCISE? and so detailed that it becomes a supply of stationery and indented by the many nuances and utilities that - everybody knows - once off the shelves of stationery - no longer has any charm.

Madness again. We need a new man. That exceeds the new par excellence.
We need a new party, new faces, new way of doing politics.

Renzi E comes out with his big face again, its new faces at the Palazzo Vecchio: the first ones because of the new DC is presented with the shield crusader and he rather not; new faces to make policy because before you had to have the common good as their mission is and how talented and instead have always done anything and never have worried about the management of public affairs.
and come out the thousands of leftists who are even more books ... are notepads, post it or A4 white sheets out of the printer are not good even for drawings.
When I was a little girl for me the new books that had their magic.
Indeed children do not vote.
Today, adults and voter, I keep every note, every notebook, every block where there was the smell of a moment of real life. And little I care about new books from the pages uncut and sterile.

And I hope, in contrast of course, a political party and an old-fashioned. With the old style that has grown and the great Italian political work, the great thinkers.
The old style of competence and seriousness. The old style of shared values \u200b\u200bat the base of partisan alliances are what they are.
The old style of talking with the party base, that dealt with information and culture.

new way, I do not do anything.